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[P295.Ebook] Download Room Full of Mirrors: A Biography of Jimi Hendrix, by Charles R. Cross

Download Room Full of Mirrors: A Biography of Jimi Hendrix, by Charles R. Cross

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Room Full of Mirrors: A Biography of Jimi Hendrix, by Charles R. Cross

Room Full of Mirrors: A Biography of Jimi Hendrix, by Charles R. Cross



Room Full of Mirrors: A Biography of Jimi Hendrix, by Charles R. Cross

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Room Full of Mirrors: A Biography of Jimi Hendrix, by Charles R. Cross

Now in paperback, the national bestselling biography of American musical icon Jimi Hendrix

It has been more than thirty-five years since Jimi Hendrix died, but his music and spirit are still very much alive for his fans everywhere. Charles R. Cross vividly recounts the life of Hendrix, from his difficult childhood and adolescence in Seattle through his incredible rise to celebrity in London's swinging sixties. It is the story of an outrageous life--with legendary tales of sex, drugs, and excess--while it also reveals a man who struggled to accept his role as idol and who privately craved the kind of normal family life he never had. Using never-before-seen documents and private letters, and based on hundreds of interviews with those who knew Hendrix--many of whom had never before agreed to be interviewed--Room Full of Mirrors unlocks the vast mystery of one of music's most enduring legends.

  • Sales Rank: #75254 in Books
  • Brand: Cross, Charles R.
  • Published on: 2006-08-09
  • Released on: 2006-08-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.00" w x 5.25" l, .80 pounds
  • Binding: Paperback
  • 400 pages
Features
  • Hyperion Books

From Publishers Weekly
Cross (Heavier than Heaven: A Biography of Kurt Cobain) turns his thoughtful eye toward another Seattle music icon, Jimi Hendrix (1942–1970). With a storyteller's eye, he captures Hendrix's difficult, poverty-stricken childhood with alcoholic and largely absent parents, rendering it as tragic yet not without its happy, tender moments. After a stint as an army paratrooper, Hendrix knocked around playing guitar in blues clubs in the 1960s, winding up in New York and eventually London, where he established himself as a guitar god, even earning the adulation of the Beatles, before exploding onto the U.S. scene with a 1967 appearance at the Monterey Pop Festival. While replete with tales of rock star excess, Cross's narrative, based on more than 300 interviews, describes Hendrix as thoughtful and craving some semblance of order to his life, even as it became steeped in drug use. Of Hendrix's death at age 27, viewed by many as a possible suicide, Cross makes the best case yet for it being accidental, portraying Hendrix as exhausted, unable to sleep and likely taking nine sleeping pills without much thought. There are a number of Hendrix bios already available, but Cross's surpasses them all, both in terms of research and execution. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Vet rock scribe Cross delivers one of the best biographies to date of the late guitar god Jimi Hendrix. Although there is no shortage of bios--or posthumously released recordings--of Hendrix, Cross distinguishes this effort with information gleaned from interviews with primary sources, including Hendrix's surviving family members. Cross is able to provide a fresher and more detailed portrait than appeared in Al Hendrix's (Jimi's deceased father) autobiography, including updates on the intra-family squabbles caused by Al's will. A fuller picture of Hendrix's formative years and the odd dynamic that infused the relationship of Al and Jimi's mother, Lucille, consequently emerges. Theirs was a troubled relationship, rife with adultery and the suspicion, frequently voiced by Al, that not all of the couple's children were biologically his. In addition to the family dirt, Cross covers all the usual Hendrix bases and then some. Was Jimi bisexual? Quite possibly. Did the DAR call for the Monkees to kick the fledgling Jimi Hendrix Experience off their 1967 tour? No; that was a publicity stunt by manager Chas Chandler. Did Hendrix enjoy his seminal involvement with the Plaster Casters? You bet. Admirably comprehensive and well referenced, this is the Hendrix biography to acquire if you can acquire only one. Mike Tribby
Copyright © American Library Association. All rights reserved

Review
"An excellent portrait...highly readable...unbeatable both for its moving depiction of [Hendrix's] youth and thrilling rise to fame and for its myth-busting finality"

Most helpful customer reviews

16 of 16 people found the following review helpful.
Intelligently and Respectfully done..
By G. Lapidus
When I realized the author wasn't even around during the time Jimi was playing, I almost wrote the book off on that basis. That would have been a huge mistake.

My very special friend, Glenn, obtained two tickets to see Jimi at Madison Square Garden, and invited me along. The music was incredible. I still recall All Along the Watchtower, and much of what was on Electric Ladyland. The stage was in the center of the house and it slowly turned. To make things even wierder, tons of picture flashes continued to go off. I have often thought Jimi must have disliked having that stage turn and nothing being done about all the camera flashes, as though he was in the circus, and when the book got to that show, it confirmed my assumption.

On a second occasion, with my same friend, we went to see what was billed as the "Festival for Peace" at Madison Square Garden, but fortunately this time, the stage was at the end of the floor and stationary. Jimi played just a few songs, and I was utterly blown away with a smile ear to ear. Wish you were all there, as attempting to explain that experience is impossible to do with words. After just a few songs, Jimi let his guitar fall to the floor and walked off stage. I never understood what the problem was, since he sounded amazing. The book touches on that show as well and provides insight.

As I began reading this book, I was a bit turned off by all the detail behind Jimi's family, and very young years, but this detail proved essential in having a proper context to understand much that followed, choices Jimi made, and revealed Jimi the person, not the star.

This book is an excellent place to start, or finish, for that matter, for any one looking to read about Jimi. So many people that knew Jimi particularly well, have been extremely generous to share such intimate details. This book pulls you in, bringing the past into the present leaving you feeling as though you were there, during each step of the journey.

The details in this book are just incredible. The time Jimi spent in England, personal relationships, friends, fans, fellow muscisians sharing stories. Wow!

Jimi left us too early, but with a body of work that stands among the best ever recorded. To read this book is also to understand Jimi the person, full of sound, fury, and a huge heart with a tender soul.

Awesome job Mr. Cross. Thank you for writing this.

Gary

0 of 0 people found the following review helpful.
Interesting read, slow start.
By Missa
It was a very interesting read, but i felt it focused too much time on his family history before getting into his career. I liked how talked about some some of his interests outside of music. I also enjoyed learning how and why he learned some of his unique talents, his unique sound, and unique look.

1 of 1 people found the following review helpful.
'Mirrors' lacks clear reflection
By h.k. graham
Having recently been given a compilation of obscure Hendrix by a friend and not being a huge Hendrix fan I wanted some background. Cross' 'Room Full of Mirrors' provides a lot of detail about Jimi's life without explaining much. As a chronology I'll assume it is accurate. There just isn't any 'heart and soul' to the read. Jimi's early years are described with a dry, factual detachment. But how did he make the leap from a dreamer to a participant? How did this high school drop out become the greatest electric guitar player of all time? You'll have to 'just ask the axis', because it's not here.

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