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Ferdydurke, by Witold Gombrowicz
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In this bitterly funny novel by the renowned Polish author Witold Gombrowicz, a writer finds himself tossed into a chaotic world of schoolboys by a diabolical professor who wishes to reduce him to childishness. Originally published in Poland in 1937, Ferdydurke became an instant literary sensation and catapulted the young author to fame. Deemed scandalous and subversive by Nazis, Stalinists, and the Polish Communist regime in turn, the novel (as well as all of Gombrowicz's other works) was officially banned in Poland for decades. It has nonetheless remained one of the most influential works of twentieth-century European literature.Ferdydurke is translated here directly from the Polish for the first time. Danuta Borchardt deftly captures Gombrowicz's playful and idiosyncratic style, and she allows English speakers to experience fully the masterpiece of a writer whom Milan Kundera describes as "one of the great novelists of our century."
- Sales Rank: #2804636 in Books
- Published on: 2000-08-11
- Original language: English
- Number of items: 1
- Dimensions: .92" h x 5.79" w x 8.57" l, 1.00 pounds
- Binding: Hardcover
- 320 pages
From Publishers Weekly
This masterpiece of European modernism was first published in 1937, and so arrived on the literary scene at an inopportune moment. First the Second World War, then Russian domination of Gombrowicz's Poland and the author's decades of exile in Argentina all but expunged public awareness of a novel that remains a singularly strange exploration of identity, cultural and political mores, and eros. Joey Kowalski narrates the story of his transformation from a 30-year-old man into a teenage boy. Joey awakens one morning gripped by fear when he perceives a ghost of himself standing in the corner of his room. He orders the ghost, whose face "was all someone else'sAand yet it was I," to leave. When the ghost is gone, Kowalski is driven to write, to create his own "oeuvre," to be "free to expound [his] own views." A visitor arrives, a doctor of philosophy named Pimko. As Pimko talks to him, Kowalski begins to shrink, to become "a little persona"; his oeuvre becomes a "little oeuvre." Pimko, in turn, grows larger and larger. He takes Kowalski to an old-fashioned Polish school, and then the man-boy's adventures adventures continue in a middle-class household and on the country estate of landed aristocrats. Kowalski's exploits are comic and erotic (for this is a modernism closer to dada and the Marx brothers than to the elevated tones of T.S. Eliot or Ezra Pound), but also carry a shrewdly subtle groundswell of philosophical seriousness. Gombrowicz is interested in identity and the way time and circumstance, history and place impose form on people's lives. Unsentimental, mocking and sometimes brutal, Kowalski's youthfulness is callow and immature, but it is also free to revel in desire. Susan Sontag ushers this new translation into print with a strong and useful foreword, calling Gombrowicz's tale "extravagant, brilliant, disturbing, brave, funny... wonderful." And it is. (Oct.)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Originally published in 1937, this novel was banned by the Nazis and suppressed by the Communist regime in Gombrowicz's (1904-69) native Poland. While modern readers may not find the book's satire particularly subversive, the author's exuberant humor, suggesting the absurdist drama of Eug ne Ionesco, if not the short fiction of Franz Kafka, is readily apparent in this new translation. Thirty-year-old Joe is abducted by schoolteacher Pimko and placed in a school where "daily universal impotence" is drummed into the students. This institutional belittlement exposes Joe to the brutality of the social, cultural, and political pretensions of both teachers and classmates. Trapped between the expectations of others and the perils of solitude, Joe finds refuge in his own childishness, much as the protagonist of the author's Trans-Atlantyk embraces his own immaturity. Pausing for digressions that impress upon the reader that "the child runs deep in everything," Gombrowicz recounts Joe's escape from the school, his bizarre visit to the country estate of relatives, and the ultimate flight with his cousin beneath a giant buttocks that has usurped the sun's place. Highly recommended for collections specializing in modern and Eastern European literature.DRichard Koss, "Library Journal"
Copyright 2001 Reed Business Information, Inc.
Review
"One of the most bracing, direct books ever written about sexual desire--this without a single scene of sexual union." -- Los Angeles Times Book Review
"The author's exuberant humor . . . is readily apparent in this new translation." -- Richard Koss, Library Journal
"[An] irreducibly, brilliantly original novel. . . . that bristles with indefatigable resources of satire, parody and irony. . . . A genuinely astonishing masterwork." -- Eva Hoffman, The New York Times Book Review
Most helpful customer reviews
1 of 1 people found the following review helpful.
unique, complex, hilarious
By drollere
"ferdydurke" is a unique satirical novel, a comedy of ideas, an innovation in style and a ransacking of novelistic conventions on par with "jacques the fatalist" or "tristram shandy". it's also weightier than its landscape of juvenile nonsense suggests. the core theme is the "mug", a person's definite identity and role in society, and how this is "kneaded" out of the struggle between inner and outer, immaturity and maturity, class and wealth, youth and age; mug is shaped by the imperatives of what microsociologists call impression management, and is deformed by the "grimace" or inappropriate countenance, the primal form of rebellion. these tensions take on the form of the "pupa" which is "fixed" on each person by pedantic schooling and oppressive convention generally. "ferdydurke" plays maniacally with the duality of power: about the requirement to conform, to do as your told or do as you're expected to do and the infantilizing effect this has on social relationships and human nature. it's also about innovation and creative change, or as gombrowicz described it, the awkward struggle to "find a form for what is yet immature, uncrystallized and underdeveloped." from opposite sides, oppression and creativity create the same battle lines in human nature.
all this sounds dry but it is displayed across a variety of comedic eruptions and some laugh out loud turns of phrase. yet the extended chapter "preface to 'the child runs deep in filidor'" is a manifesto that merits careful reading. gombrowicz's style is both deeply angry and provocatively feisty in its analysis of trivial social interactions. it is too much to say gombrowicz had a "system," but the richness of his metaphors, symbols and comic encounters makes for a complexity unusual in a satirical novel -- even an ironic one.
apparently the translator preferred the word "tush" to render "pupa" (bottom, buttocks) but was deflected by her editor and a reviewer. the problem is that this polish term is used affectionately by mothers toward their children and by adults as a derogatory term of belittlement or aggression ("dealing someone the pupa"). it captures the dual aspects of nurture and menace, the professed concern for citizen welfare and implicit threat of retribution for disobedience, that characterized the communist regime under which the book was written.
borchardt would have done her work better service by delving these issues in her introduction. instead, she lists the many english synonyms for "pupa" while declaring it untranslatable. (a later speech, linked below, provides the background missing from the book's introduction.) despite that quibble, in this new (and first complete) translation into american english the mocking laughter of the book comes through brilliantly.
http://www.corpse.org/archives/issue_5/critical_urgencies/borchar.htm
4 of 4 people found the following review helpful.
The limitations of a novel of ideas
By Bartolo
Read Gombrowicz's "Diary." I've read only Part 1 of that series, but I'm satisfied that it's a monument of 20th century writing and a work of great humanity. As to "Ferdydurke," it suffers from the same malady as "Candide," its avowed inspiration: rather thin in writing quality, uneven in its satiric force, too much of a polemic to be involving. "Candide" and its progenitors like "Gulliver's Travels" get their power from the truths they demonstrate, the persistence of the philosophic errors and solecisms they lampoon. (In Swift's case, I think his passion comes through and carries "Travels" to another level) By that token, many of Gombrowicz's targets are relics of the past (e.g., Polish culture's then-overemphasis on "adult" virtues, something nonexistent in our own youth-worshipping culture), as he himself later confessed. "Ferdydurke" is a modernist satire to be read by serious students of 20th c. European literature, but while its innovative form engages the intellect it doesn't go beyond to plumb any depths of human experience. I would submit there is simply not enough of Gombrowicz in this effort, or a too-young edition of the man.
Great works of literature have always happily immersed me beyond my intellectual grasp, either to present me with a situation with too many parts to rationally connect or with an author too complex to safely encapsulate. And at the same time resonate with my own experience of the world. It could be that "Trans-Atlantik" accomplishes this; the "Diary" certainly does; but "Ferdydurke"--in spite of Sontag calling it a "masterpiece" and "wonderful" in her introduction--does not.
That said, there is an analysis here of master-servant relations that made me very happy I'd read the book. Never mind the enforced goofiness and satirical extravagances throughout, there is a description in the second half of the book of relations between country squires and servants, between the traditional two classes, as nuanced and observant and analytically sound (absolutely convincing in its psychological penetration) as could be imagined. Not only was the description convincing as it related to centuries of ingrained attitudes, it went to, goes to, dominant/subordinant relations wherever they are found--and of course they are still found, democracies to the contrary notwithstanding. Nobody had brought it home to me before as effectively as Gombrowicz. The examination here is subtle enough as almost to throw his deft satire out of whack, as if he needed a bigger canvas with fewer self-imposed stylistic restrictions. The "Diary" was later to provide just such a canvas.
Parenthetically, Gombrowicz himself would find it amusing that negative reviews here and elsewhere on Amazon, no matter how detailed and nuanced, always garner fewer numbers of "helpful" votes than the ecstatic ones ("8 of 29 people found the following review helpful"). Expectant readers want to have their hopes justified. Thus are greased the wheels of literary commerce.
1 of 1 people found the following review helpful.
Contemporary classic.
By Slawomir Magala
Mann with Magic Mountain captured a middle class young professional torn between decency of a liberal arts humanists and a mix of commies and nazis. That was 1920ies. Gombrowicz predicted dictatorship of young consumers with naked celebs as instant gods. That was 1930ies. Who might be third for the past 20th century? My guess would be William Faulkner ex aequo with Thomas Pynchon as literary monuments to the American century 1945-....
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