Jumat, 18 April 2014

[Z555.Ebook] Ebook Download Crash Course (US): Musculoskeletal System: With STUDENT CONSULT Online Access, 1e, by Anil H. Walji PhD

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Crash Course (US): Musculoskeletal System: With STUDENT CONSULT Online Access, 1e, by Anil H. Walji PhD



Crash Course (US): Musculoskeletal System: With STUDENT CONSULT Online Access, 1e, by Anil H. Walji PhD

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Crash Course (US): Musculoskeletal System: With STUDENT CONSULT Online Access, 1e, by Anil H. Walji PhD

Don't panic! "Crash Course" is here―that perfect set of lecture notes which no student ever really has the time to compile. These books deliver all of the information needed to get through a course or prepare for exams. Clear text covers the essential concepts of each discipline or specialty; learning features expedite mastery of the material; and review questions let readers assess their knowledge. With basic science books written by current medical students under faculty supervision, and clinical titles that pair senior specialists with doctors who have only recently begun training in the relevant field, Crash Course titles are designed to ideally meet the needs of today's medical students. Plus each of these titles includes complimentary access to www.studentconsult.com - where you'll find the full text of the book online...Integration Links to bonus content in other STUDENT CONSULT titles...and much more!

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  • Sales Rank: #1604535 in Books
  • Published on: 2006-06-15
  • Original language: English
  • Number of items: 1
  • Dimensions: .41" h x 7.28" w x 10.22" l, 1.00 pounds
  • Binding: Paperback
  • 248 pages

About the Author
Anil H. Walji, PhD, Professor of Radiology and Diagnostic Imaging, Professor of Human Anatomy, Director, Division of Anatomy, University of Alberta, Edmonton, Alberta, Canada

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[F947.Ebook] Free PDF Your Spirits Walk Beside Us, by Barbara Dianne Savage

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Your Spirits Walk Beside Us, by Barbara Dianne Savage

Even before the emergence of the civil rights movement, African American religion and progressive politics were assumed to be inextricably intertwined. Savage counters this assumption with the story of a highly diversified religious community whose debates over engagement in the struggle for racial equality were as vigorous as they were persistent.

  • Sales Rank: #1408400 in eBooks
  • Published on: 2009-06-30
  • Released on: 2009-06-30
  • Format: Kindle eBook

From Publishers Weekly
With the recent controversy over the Rev. Jeremiah Wright, former pastor of Democratic presidential candidate Barack Obama, much attention has been recently paid to the topic of the black church in America. Yet historian Savage shows in her book that "there is no such thing as the 'black church.' " Countering the image of a monolithic institution, Savage instead portrays the theological, economic and social diversity within black churches. Through biographical vignettes, Savage spans the 20th-century black religious experience, focusing on the ever-present question African-Americans asked about the role their churches should play in the politics for racial justice. Savage's greatest contribution is her restoration of black women to a central place in black religious experience. Though women formed the vast majority of those in the pews, most historians have focused on the male ministers who led the congregations. Savage argues for the importance of Mary McLeod Bethune, Nannie Helen Burroughs, and Fannie Lou Hamer, among others. A concluding chapter on Barack Obama and Wright smartly observes how Wright himself downplayed black religious diversity to make his defense of the black church. (Nov.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
The debate about the role and relevance of religion in the social and political lives of African Americans has raged since the days of slavery. Historian Savage focuses on the period�from the turn of the twentieth century, a time of tension between science and faith as more and more black Americans sought education and as racial inequalities and exploitation left black Americans as much in need of spiritual succor as ever. As black Americans adjusted to life in urban areas, and to the attendant racial discrimination and segregation, the black church became the only indigenous institution with the stability and influence to effect change within and outside the community, giving rise to the notion of “the black church” despite what was actually a great diversity of religious institutions. Savage focuses on diverse figures from the early 1900s through the current day, including Marcus Garvey, sociologist W. E. B. DuBois, and activist Marian Wright Edelman. She explores�changes in how religion has been�viewed and how it has been used as a political and social engine as much as for spiritual uplift. --Vanessa Bush

Review
Today when black religious leadership and ideas have been thrust into the race for the American presidency, Barbara Savage helps to sift through the myriad and longstanding debates over black religion and politics. In this powerfully written and compelling book, Savage brings profound clarity to the institution that remains at the center of black spiritual and community life. (Evelyn Brooks Higginbotham, author of Righteous Discontent: The Women's Movement in the Black Baptist Church)

With the recent controversy over the Rev. Jeremiah Wright, former pastor of Democratic presidential candidate Barack Obama, much attention has been recently paid to the topic of the black church in America. Yet historian Savage shows in her book that "there is no such thing as the black church." Countering the image of a monolithic institution, Savage instead portrays the theological, economic and social diversity within black churches. Through biographical vignettes, Savage spans the 20th-century black religious experience, focusing on the ever-present question African-Americans asked about the role their churches should play in the politics for racial justice. Savage's greatest contribution is her restoration of black women to a central place in black religious experience. Though women formed the vast majority of those in the pews, most historians have focused on the male ministers who led the congregations. Savage argues for the importance of Mary McLeod Bethune, Nannie Helen Burroughs, and Fannie Lou Hamer, among others. A concluding chapter on Barack Obama and Wright smartly observes how Wright himself downplayed black religious diversity to make his defense of the black church. (Publishers Weekly 2008-09-15)

Savage recounts the circuitous journey along which black religious sentiment and political ideology have conflicted, converged, and sometimes melded throughout the 20th century. She presents this sociohistorical study chiefly through an engaging series of portraits of individuals who combined African American religious and political sensibilities in innovative ways, including W.E.B. DuBois, Carter Woodson, Benjamin Mays, E. Franklin Frazier, Mary McLeod Bethune, and Nannie Helen Burroughs. (Dann Wigner Library Journal 2008-11-01)

Your Spirits Walk Beside Us marks the beginning of a new history of African American religion, not as a sacred narrative, but as the exciting story of a powerful but ambivalent Christian legacy in African American life. Savage has brilliantly rethought a matter of broad and urgent contemporary significance -- the enduring dilemmas and ambiguities of the African American religious experience amid the demands of modern American political life. (Robert A. Orsi, author of Thank You, Saint Jude: Women's Devotion to the Patron Saint of Hopeless Causes)

Savage challenges our thinking about a monolithic 'black church' and encourages us to engage with the full diversity and complexity of black religious institutions. A beautifully written, brilliant, and important book, it is both a profound work of history as well as a timely intervention into contemporary politics. (Farah Jasmine Griffin, author of Who Set You Flowin'? The African-American Migration Narrative)

With this brilliant explication of the relationship between African American religious and political life, Barbara Savage dramatically deepens our understanding of the twentieth-century freedom struggle. Hers is a moving and provocative exploration of faith, doubt, and profound commitment. (Kevin Boyle, author of Arc of Justice: A Saga of Race, Civil Rights and Murder in the Jazz Age)

This passionate and incisive analysis of the relationship between twentieth-century black religion and politics reveals the paradoxes as well as the dynamism intrinsic to black church culture. It is a major accomplishment. (Wallace Best, author of Passionately Human, No Less Divine: Religion and Culture in Black Chicago)

Here is a book that couldn't be more topical...[Savage] examines in detail the history and implications of black church development as a political force in America. Her work is readable and thought-provoking, bringing us up to the minute with its brief but telling examination of the relationship between Barack Obama and his own church, and its by-now famous pastor Jeremiah Wright. (Barbara Bamberger Scott Curled Up with a Good Book 2009-01-01)

The debate about the role and relevance of religion in the social and political lives of African Americans has raged since the days of slavery. Historian Savage focuses on the period from the turn of the twentieth century, a time of tension between science and faith as more and more black Americans sought education and as racial inequalities and exploitation left black Americans as much in need of spiritual succor as ever. As black Americans adjusted to life in urban areas, and to the attendant racial discrimination and segregation, the black church became the only indigenous institution with the stability and influence to effect change within and outside the community, giving rise to the notion of "the black church" despite what was actually a great diversity of religious institutions. Savage focuses on diverse figures from the early 1900s through the current day, including Marcus Garvey, sociologist W. E. B. DuBois, and activist Marian Wright Edelman. She explores changes in how religion has been viewed and how it has been used as a political and social engine as much as for spiritual uplift. (Vanessa Bush Booklist 2008-10-01)

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5 of 6 people found the following review helpful.
Overview of important (and overlooked) figures in black religion and religious politics
By Vaughn Booker Jr.
In Your Spirits Walk Beside Us, Professor Savage sets out to discuss the important history of theorizing about the practice of religion in black America while being attentive to critical thinkers and activists in black history whose rhetoric concerned the link between black social progress and the role of religious institutions. Never generalizing about the arguably ambivalent role afforded to black political movements by individual and collective religious institutions within the US, Savage nevertheless makes sure to highlight the neglected roles of intelligent black women in American religious history whose stories are lost when we acknowledge that they were not afforded the usual positions of authority occupied by black men as religious and political leaders. In addition, Savage paints a realistic and refreshing image of diverse thought within African American religion, illuminating not only the reality of diverse religious traditions but also diversity of opinion and theology within black Protestantism--attitudes about (the existence of) God, about non-Christians (namely, the forgotten black Christian fascination with Gandhi), about white religions, and about the efficacy of black pastors and churches in struggles for social equality.

As ultimately revealed in the final chapter, Savage's construction of a black pantheon of sorts for meaningful, critical intellectual thought about black religion in the US serves to provide the reader a better sense of how to locate modern black leaders in a larger historical debate about the relationship between religion, race, and politics with a focus on two such men, then-presidential candidate Barack Obama and Rev. Jeremiah Wright. As the two men might be considered different ideals for the synthesis of a racial consciousness with an effective, meaningful form of black Christianity, the focus of Savage's history relies on those individuals from history who largely represent the most effective presence of black religious liberalism in American history (and rightly so, given that these women and men made and preserved the black institutions responsible for progress). While attention is given to the reality of a conservative, individualistic, affluent tide in black religion evidenced by modern megachurches, I do feel that such conservative positioning and history needs to be given stronger attention in order to highlight for an audience interested in the intersection of religion and politics how race colors differently the simplistic liberal/conservative divide so easily stereotyped in modern political discourse. But the author's best work remains her ability to make sure that any modern discussion about religion, race, and politics is sensitive to the history of gendered divisions within black social history. Perhaps a more robust discussion of the political divides between black women in religious institutions would complicate Savage's important response to the minimization of black women in African American history and religion, but I believe it would have helped to further illuminate reasons for why such progress in black history was made only by a minority within a minority, one composed of a majority of women.

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Minggu, 13 April 2014

[L748.Ebook] Fee Download The Best Ghost Stories of H. Russell Wakefield, by H. Russell Wakefield

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The Best Ghost Stories of H. Russell Wakefield, by H. Russell Wakefield

Herbert Russell Wakefield was an English short story writer, novelist, publisher, and civil servant chiefly remembered today for his ghost stories. From Table of Content: (1)The Red Lodge (2)He Cometh And He Passeth BY (3)Professor Pownall's Oversight ( 4)Look Up There (5)Blind Man's Buff (6)Day-Dream In Macedon (7)Damp Sheets (8)A Black Solitude (9)The Triumph Of Death (10)A Kink In Space-Time (11)The Gorge Of The Churels (12)Immortal Bird (13)Death Of A Bumble-Bee

  • Sales Rank: #2012777 in Books
  • Published on: 1982-10
  • Original language: English
  • Dimensions: 8.75" h x 5.75" w x .75" l,
  • Binding: Paperback

Most helpful customer reviews

10 of 10 people found the following review helpful.
Relentless and Powerful Horror Stories
By cameron-vale
While H. Russell Wakefield is one of the most critically admired masters of the short horror tale, his work has nonetheless been almost completely ignored by publishers since his death in 1964. In the U.S., the only way to sample Wakefield's swiftly paced and terrifying tales is via this now out of print collection of fourteen stories, first published by Academy Chicago in 1978 and reprinted in 1982. (According to the brief but informative introduction by Richard Dalby, the situation in Wakefield's native Britain was even worse...his last book was published there in 1940!) Wakefield's taut and deft style can be reasonably compared to M.R. James, as his stories are often just as richly atmospheric and brooding. However, Wakefield multiplies the terror quotient a fair degree by relentlessly leading up to the kinds of horrific and often cruel endings that James usually avoided. While there are somewhat conventional ghosts in haunted houses ("The Red Lodge" and "Blind Man's Bluff"), Wakefield's supernatural interests ran a little wider than the title of this collection implies. "He Cometh and He Passeth By", arguably Wakefield's most acclaimed tale, is a small masterpiece of black magic terror featuring a particularly fiendish villain. "The Triumph of Death" is an unusually sadistic tale of vengeance. And the Lovecraftian, cosmic horror of "`Look Up There!'" packs a surprisingly potent wallop; this short tale about a man on holiday who becomes obsessed with a vision of something evil in the clouds shows just how frightening and disturbing pure suggestion can be. For the horror connoisseur with an appetite for unusual thrills, this collection is very much worth seeking out.

3 of 3 people found the following review helpful.
I love a man who writes a good haunted golf course story
By Jennifer Grey
In the introduction to this collection, editor Richard Dalby quotes M.R. James's reaction to Wakefield's first published anthology of ghost stories, They Return at Evening: "Mr. Wakefield," says the darling, dry Montague, "gives us a mixed bag, from which I would remove one or two that leave a nasty taste. Among the others are some admirable pieces, very inventive." Monty could just have well been referring to this volume, which groups together fourteen of Wakefield's creepy tales ranging chronologically from his first story, "The Red Lodge," to his last, "Death of a Bumblebee."

My introduction to H.R. came courtesy of the H.P. Lovecraft Literary Podcast, which featured "The Red Lodge" several months ago, and I was intrigued enough by the story to bother to hunt down this collection through interlibrary loan. The effort was certainly not wasted. While there is one confirmed stinker in the bunch (the aforementioned "Bumblebee"), the rest of the tales are at least entertaining, and a couple come close to brilliant ("Blind Man's Bluff"). In all honesty, I will admit that I would feel honor-bound to promote this book sheerly on the basis of it containing the only haunted golf course story it has ever been my pleasure to stumble across. And because Wakefield devotes not one but two stories to taking the piss out of Aleister Crowley, which just kind of makes you want to buy the man a beer.

Wakefield served in the Royal Scots Fusiliers during WWI and lived in London during the Blitz. War pervades his stories, sometimes to great effect, as when it serves to mentally disarrange his narrators just enough to make them susceptible to the supernatural, sometimes to their detriment (Have I mentioned the "Bumblebee"?). Whichever it is, Wakefield tells his tales forthrightly, with none of Lovecraft's adjectival overabundance, and only waxes ever so slightly poetic when discussing mathematics or chess. His tales are far from perfect - there's a tendency to tack awkward explanatory codas onto the end, and the tone toward women will make your eyes roll - but he manages, now and then, to evoke a sincere shiver. Admirable and inventive, indeed.

5 of 7 people found the following review helpful.
Powerful stories
By Sarah Sammis
I really enjoyed these ghost stories. The first story, "The Red Cottage" nearly gave me nightmares. Interestingly, some of the descriptions Wakefield uses for his ghosts show up in another ghost story I'm reading, Affinity and I'm enjoying the synchronicity between these two books. The introduction to the story collection says that Wakfield was a contemporary with Lovecraft and it shows in his stories, in the subtle way he turns the oridinary into the extroridinary and ultimately into the horrific. I find that his shorter stories pack more of an emotional punch than his longer ones. His best stories are the ones that stay under twenty pages. The longer ones lose their pacing. He doesn't throw in enough smaller scares in to compell rapid page turning. Nonetheless, stay with the longer stories and enjoy the endings. They all do satisfy at their conclusions.

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Minggu, 06 April 2014

[Y875.Ebook] Free PDF Learn Windows PowerShell in a Month of Lunches, by Donald W. Jones, Jeffrey Hicks

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Learn Windows PowerShell in a Month of Lunches, by Donald W. Jones, Jeffrey Hicks

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Learn Windows PowerShell in a Month of Lunches, by Donald W. Jones, Jeffrey Hicks

Summary

Learn Windows PowerShell in a Month of Lunches, Third Edition is an innovative tutorial designed for busy IT professionals. This updated edition covers PowerShell features that run on Windows 7, Windows Server 2008 R2 and later, PowerShell v3 and later, and includes v5 features like PowerShellGet.

Purchase of the print book includes a free eBook in PDF, Kindle, and ePub formats from Manning Publications.

About the Technology

PowerShell is both a scripting language and an administrative shell that lets you control and automate nearly every aspect of Windows. It accepts and executes commands interactively and you can write scripts to manage most Windows servers like Exchange, IIS, and SharePoint, as well as online services like Azure and Office 365.

About the Book

Learn Windows PowerShell in a Month of Lunches, Third Edition is an innovative tutorial designed for busy IT professionals. Just set aside one hour a day - lunchtime would be perfect - for a month, and you'll be automating Windows tasks faster than you ever thought possible. This updated edition covers PowerShell features that run on Windows 7, Windows Server 2008 R2 and later, PowerShell v3 and later, and includes v5 features like PowerShellGet.

What's Inside

  • Learn PowerShell from the beginning, no experience required!
  • Covers PowerShell v3 and up, Windows 7, and Windows Server 2008 R2 and later
  • Each lesson takes you an hour or less

About the Reader

Experience with Windows administration is helpful. No programming or scripting experience needed.

About the Author

Veteran PowerShell MVPs Don Jones and Jeffery Hicks bring years as successful trainers to this concise, easy-to-follow book.

Table of Contents

  • Before you begin
  • Meet PowerShell
  • Using the help system
  • Running commands
  • Working with providers
  • The pipeline: connecting commands
  • Adding commands
  • Objects: data by another name
  • The pipeline, deeper
  • Formatting - and why it's done on the right
  • Filtering and comparisons
  • A practical interlude
  • Remote control: one-to-one, and one-to-many
  • Using Windows Management Instrumentation and CIM
  • Multitasking with background jobs
  • Working with many objects, one at a time
  • Security alert!
  • Variables: a place to store your stuff
  • Input and output
  • Sessions: remote control with less work
  • You call this scripting?
  • Improving your parameterized script
  • Advanced remoting configuration
  • Using regular expressions to parse text files
  • Additional random tips, tricks, and techniques
  • Using someone else's script
  • Never the end
  • PowerShell cheat sheet
    • Sales Rank: #4746 in Books
    • Published on: 2016-12-30
    • Original language: English
    • Dimensions: 9.20" h x .70" w x 7.30" l, .0 pounds
    • Binding: Paperback
    • 384 pages

    About the Author

    Veteran Powershell MVP Don Jones brings years as successful trainer to this concise, easy-to-follow book. Don blogs at https://donjones.com/

    Jeffery Hicks is a PowerShell MVP with 20 years of IT experience. Jeff blogs frequently on PowerShell related topics at http://jdhitsolutions.com/blog.

    Most helpful customer reviews

    8 of 8 people found the following review helpful.
    Not sure what book the above poster read, but ...
    By Amazon Customer
    Not sure what book the above poster read, but if you are just learning PowerShell this is your book. It covers everything you will need to know to start your PowerShell journey.

    1 of 1 people found the following review helpful.
    Doing Lunch with PowerShell
    By E. Wold
    I have only made it about 1/2 the way through this book so far but I have enjoyed spending my lunches learning PowerShell. I find the chapters easy to read an the examples helpful. The labs at the end of the chapters build on what I have learned. I just finished the Review Tasks for Chapters 1-6 in the back of the book these gave me more opportunity to put what I learned in those chapters to work. I do find that it is not uncommon for it to take me more than one lunch to do a chapter. I do like to try out the different commands as I am reading which does slow me down some.

    0 of 0 people found the following review helpful.
    Five Stars
    By Cynthia J. Heinz
    Great job!

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    Kamis, 03 April 2014

    [X467.Ebook] Download Ebook Poetics of Cinema, by David Bordwell

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    Poetics of Cinema, by David Bordwell

    Bringing together twenty-five years of work on what he has called the "historical poetics of cinema," David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects? For Bordwell, films are made things, existing within historical contexts, and aim to create determinate effects. Beginning with this central thesis, Bordwell works out a full understanding of how films channel and recast cultural influences for their cinematic purposes. With more than five hundred film stills, Poetics of Cinema is a must-have for any student of cinema.

    • Sales Rank: #1494148 in Books
    • Published on: 2007-10-21
    • Released on: 2007-12-14
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.00" h x 1.16" w x 7.01" l, 2.00 pounds
    • Binding: Paperback
    • 512 pages

    Review

    "It will come as no surprise to anyone already familiar with Bordwell that these essays exhibit a dazzling command of a wide range of filmmaking styles, fiom Japanese cinema of the Twenties through the Forties (two separate essays) to Hollywood's early usage of Cinemascope to the films of Taiwanese marrial-arts filmmaker King Hu."―Film Comment

    "Film Theory, rightly or wrongly, makes most film makers cringe. We rarely see our processes, collaborations, technologies, obsessions, or underlying motivations thoughtfully examined in such writings. David Bordwell's work is radically different. Whether examining Hollywood cinema, Hong Kong, Independent, New Wave, silent or sound, high grossing or unknown, he addresses film with a clear mission -- to understand how a film works, how it's made and why -- and to discuss his findings in a direct style that embraces intellectuals and non-academic readers too. I have learned a great deal from David about film narrative, and in Poetics of Cinema, he carries his mission further, drawing on a lifetime's perspective to lay out some universal truths."

    James Mangold, Director of 3:10 to Yuma, Walk the Line, and Cop Land

    "Is there anyone who writes about the movies with more intelligence, clarity, and style than David Bordwell? With an awesome depth of knowledge, he conveys a deep love of his subject. In Poetics of Cinema Bordwell explains how movies can transcend, inspire, and become sublime. I feel when I read him that he starts where I leave off.."

    Roger Ebert

    "A new book by David Bordwell is always an important event and this one is especially welcome.� These wide ranging essays are an oasis of grounded analysis in a desert of parched ‘Theory’ and readers will drink deep from wells of insight about form, style and context and, above all, of love and appreciation for film."

    Larry Gross, Professor and Director, USC Annenberg School for Communication

    "Its title echoing Aristotle and the eponymous 1927 collection of essays by Russian Formalist scholars, Bordwell’s Poetics of Cinema reminds us that cinema is not just a cultural artifact or a market commodity, but is, first and foremost, an art form. If you wish to know what makes cinema different from any other art or wonder what it takes to be an expert on film, Bordwell’s book is the one to read."

    Yuri Tsivian, University of Chicago

    "David Bordwell's Poetics of Cinema is a ‘must read’ collection of thirty years of Bordwell's engaging inquiry into, and analysis of, cinema from around the world.� Bordwell is thorough, imaginative and, yes, in his own words often ‘mirthful’ in his analysis of every topic he undertakes."

    Andrew Horton, University of Oklahoma, author of Writing the Character Centered Screenplay.

    "By turns suggestive and conclusive, playful and polemical, wide-ranging and to the point, Poetics of Cinema comingles the keen passion of a cinephile and the precision of a distinguished film scholar. David Bordwell's compellingly choreographed and painstakingly documented essays revisit, extend, and update the rich work of many decades."

    Eric Rentschler, Harvard University

    "David Bordwell's work on the poetics of cinema has been foundational for modern cinema studies, dedicated to an intense focus on the processes by which films make meaning and alert our senses.� His combination of clarity and insight make him a master of the moving image, a scholar whose knowledge of the range of cinema remains unparalleled and a critic whose polemics are impossible to ignore."

    Tom Gunning, University of Chicago

    "This is a wonderfully rich and diverse collection of essays, covering a wide array of topics with David Bordwell’s characteristic rigour and verve. The collection spans just about the whole of Bordwell’s career, making available several important earlier essays; but because he has taken the trouble to substantially revise or update all of the reprinted material, the book conveys a vivid sense of Bordwell’s current thinking. By weaving the past essays into a coherent structure with new work, the book also hints at�an intellectual autobiography, showing us the history and development of Bordwell’s concerns. The collection confirms that Bordwell is not only the most significant film scholar of his generation, but one of the most impressive figures in the humanities in general over the past thirty years."

    Murray Smith, University of Kent

    "Bordwell’s primary interest, indeed his passion, is the film itself. Throughout his book, he writes with an infectious enthusiasm and demonstrates an encyclopedic knowledge of film, dotting the text with numerous film citations and plot synopses. Film scenes and sequences are analysed shot by shot, with extensive use of frame stills (more than five hundred). He gives close attention to the subtle details of film style, such as camera framings and the choreographed movements of actors. All this exemplifies "rational and empirical enquiry" (3). The truth is out there, he believes, though it is no doubt messy and complicated."

    Daniel Barratt, The Evolutionary Review

    �

    About the Author
    David Bordwell, Jacques Ledoux Professor at the University of Wisconsin, is arguably the most influential scholar of film in the United States. The author, with his wife Kristin Thompson, of the standard textbook Film Art�and a series of influential studies of directors (Eisenstein, Ozu, Dreyer) as well as periods and styles (Hong Kong cinema, Classical Hollywood cinema, among others), he has also trained a generation of professors of cinema studies, extending his influence throughout the world. His books have been translated into fifteen languages.

    Most helpful customer reviews

    10 of 10 people found the following review helpful.
    A Challenging Work of Film Scholarship
    By Tony Williams
    I will begin my review by mentioning the most basic problem with this book, namely it's price that may prevent it obtaining the wider circulation that it deserves. However, as the author has stated on several occasions, writers, especially those of academic texts, usually have no control concerning the prices publishers charge for their works. Hopefully, this collection of new and past essays may be available in a much more accessible form some time in the future but until then many of us must be content by obtaining it via libraries.

    Having said this, I will now begin by saying that this collection represents one of the most worthwhile texts of film criticism current today and even those who may disagree with the approach taken will find it challenging and learn much from it - assuming we study it with unbiased perceptions and be ready to debate with its findings. The introductory essay defining historical poetics represents one of the best informed example of a certain type of practical criticism of its type. Among the other excellent essays, those of cinematic construction and vision, cognition and comprehension in MILDRED PIERCE, the three dimensions of film narrative, and the extraordinary investigation of how several classical Hollywood cinematic craft practices informed 1950s cinemascope films are extraourdinary in their lucid presentation of arguments. Vistually all of the essays are informed by frames from scenes within the various films discussed.

    Like all of his books, POETICS OF CINEMA is not an easy read. It is demanding but not in the realm of obsurantist film theory of several decades before. Bordwell covers European, Hollywood, Hong Kong and Japanese Cienma in several learned essays in a cogent and disciplined manner based upon the type of logical and reasoned argument very difficult to find in most journals today. Again, I will conclude by saying that despite the different paths we may follow and various disagreements we may have with the methodology, his arguments can not be ignored or avoided. In fact, if we engage with them seriously, we may end up being better makers of meaning than before.

    This book is highly recommended to all serious readers whether inside or outside the academy.

    1 of 11 people found the following review helpful.
    Another wonderful book!
    By L�zaro Manuel Silva
    It's always a pleasure to learn from this Master os Arts.

    L�zaro Silva

    Terceira, Azores
    Portugal

    15 of 18 people found the following review helpful.
    Table of Contents
    By Curupira
    Introduction

    Questions of Theory
    1. Poetics of Cinema
    2. Convention, Construction, and Cinematic Vision

    Studies in Narrative
    3. Three Dimensions of Film Narrative
    4. Cognition and Comprehension: Viewing and Forgetting in Mildred Pierce
    5. The Art Cinema as a Mode of Film Practice
    6. Film Futures
    7. Mutual Friends and Chronologies of Chance

    Studies in Style
    8. Cinecerity
    9. Taking Things to Extremes: Hallucinations Courtesy of Robert Reinert
    10. CinemaScope, The Modern Miracle You See Without Glasses
    11. Who Blinked First?
    12. Visual Style in Japanese Cinema, 1925-1945
    13. A Cinema of Flourishes
    14. Aesthetics in Action: Kung Fu, Gunplay, and Cinematic Expression
    15. Richness through Imperfection: King Hu and the Glimpse

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    Jumat, 28 Maret 2014

    [E906.Ebook] PDF Ebook History of Psychotherapy: Continuity and Change

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    History of Psychotherapy: Continuity and Change

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    • Binding: Hardcover

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    Kamis, 27 Maret 2014

    [O103.Ebook] Download Jump Shot (Barber Game Time Books), by Tiki Barber, Ronde Barber

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    The Barber brothers know their way around a football field—but can they succeed on the basketball court? Find out in this slam dunk with “lively basketball action and life lessons aplenty (Kirkus Reviews)” from NFL superstars and bestselling authors Tiki and Ronde Barber.

    As Tiki and Ronde count the days until the start of football season, the basketball coach approaches them looking for new recruits, and Tiki and Ronde sign on.

    While Hidden Valley Junior High has always been a powerhouse in football, the school has never done as well in basketball. Ronde is a good passer, but he needs Tiki to get free to sink his shots. Tiki doesn’t feel the inner confidence he felt on the football field: it’s one thing to play in the driveway, but it’s another to sink one on the court, when so much is on the line. The brothers need a winning attitude—and they need to bring everyone together to win. That is their only way to victory. Can they do it?

    • Sales Rank: #162704 in Books
    • Published on: 2014-11-04
    • Released on: 2014-11-04
    • Original language: English
    • Number of items: 1
    • Dimensions: 7.63" h x .50" w x 5.13" l, .0 pounds
    • Binding: Paperback
    • 160 pages

    About the Author
    Tiki Barber is a record-holding retired running back for the New York Giants. He married and is the father of four children.

    Ronde Barber is a record-holding cornerback who retired after fifteen seasons with the Tampa Bay Buccaneers. He is one of only two cornerbacks selected to the Pro Bowl five times. He is married with two daughters.

    Paul Mantell is the author of more than 100 books for young readers, including books in the Hardy Boys and Matt Christopher series.

    Excerpt. � Reprinted by permission. All rights reserved.
    Jump Shot 1 A NEW DOOR OPENS
    “Thanks, man.” Ronde Barber exchanged an elaborate handshake with one of his many fans at Hidden Valley Junior High School.

    “Yeah, dude, thanks a lot,” said Ronde’s identical twin, Tiki, slapping the boy on the back.

    “No, thank you guys. For everything.”

    Ronde didn’t even know the kid’s name. He didn’t know him, and he was pretty sure Tiki didn’t either.

    It happened a lot like that. These days, in the second term of their last year at Hidden Valley Junior High, the Barber twins were “Big Men on Campus”—stars of the school’s history-making football team. The Eagles had been State Champions two years running and, this past season, owners of a perfect record.

    Everyone knew their names all right, even at a big school like Hidden Valley. But there were plenty of kids whose names Tiki and Ronde didn’t know, or had forgotten.

    It wasn’t that they were stuck up about their superhero status. Not at all. But it was hard to remember everyone’s name who knew yours, when yours had been plastered all over the school paper, the local TV news, the Roanoke Reporter, and even newspapers as far away as Richmond.

    Remembering names wasn’t a big problem by any means. It was great being popular. The only real problem was, their football career at Hidden Valley was over. Ever since the final celebrations had ended, Ronde’s and Tiki’s lives had become more and more�.�.�. well, boring. Oh, school was okay, and it was fun catching up on their favorite TV shows—but it was winter, and it was cold, and there was nothing really important going on in their lives anymore!

    No practices to get their blood pumping. No video strategy sessions with the team to get their minds racing. No big games to look forward to every week.

    It was only the end of January, but to Ronde, it felt like winter had been dragging on for months! And here they were, on a Thursday afternoon that had already turned dark by four o’clock, waiting to get into the gym so they could sit in the bleachers, crammed in with all their friends and those other kids whose names they didn’t even know or couldn’t remember�.�.�. just to watch a basketball game!

    Watching was not the same as playing, Ronde thought sadly. And basketball, while it was fun, was only the Barbers’ second-favorite sport. Besides, while Hidden Valley Junior High had always been a powerhouse in football, it had never done well in basketball. The team hadn’t won a league championship in forty years, and for five straight seasons, they’d fallen short of making the play-offs.

    This year’s team was better than most, but their record was only about .500 at this point, midway through the season. And the only reason it wasn’t worse was the team’s all-star point guard, Sean Morton.

    Sean was only in eighth grade, but he was already a league all-star, and was being talked about for the All-Virginia team. Sean—or “Sugar,” as everyone called him for his sweet jump shot—was averaging twenty points a game, and his brilliant ball-handling was reason enough to come see an Eagles game.

    So the bleachers were packed. And most of them were here not so much to root for the team, as to see “Sugar” put up some serious numbers.

    “I can’t believe this is the first game we’ve been to this year,” Tiki said as they climbed up into the bleachers and found two seats together, way back near the top row.

    “I know,” Ronde said, sitting down. “It’s weird being in the stands, watching the game.”

    “Tell me about it.” Tiki reached into his coat pocket and pulled out a bag of peanuts. “Want some?”

    Ronde cupped his palm and caught the peanuts just as the game began. Sugar, wearing number 1 on the back of his uniform, with EAGLES on the front in capital letters, caught the tip-off and dribbled upcourt. His ball-handling was impressive—fancy moves, a through-the-knees fake, then a no-look pass to the shooting guard, Brian Reynolds. Reynolds, with a clear look at the basket, put up a shot—and missed.

    Sugar groaned out loud, shook his head, and made a face before retreating back upcourt.

    Reynolds was slow getting back, and the player he was supposed to be guarding sank an easy running layup to start the scoring.

    “Come on!” Sugar shouted, gesturing for Reynolds to kick it into gear.

    Ronde looked at Tiki, who returned his gaze. Like many sets of identical twins, they often found that they were thinking the same thing at the same time. Right now was one of those times. Ronde knew Tiki was also thinking about Cody Hansen, their quarterback on the Eagles when they were in eighth grade.

    Cody used to yell at his teammates like that. And it never worked, either.

    Sure enough, these basketball Eagles soon found themselves trailing badly. And the more they fell behind, the more Sugar Morton held on to his dribble, taking most of the shots himself, and not including his teammates much. The rest of the Eagles seemed to be moving a step slower than Sugar. Slower than their opponents, the Colts of Martinsville Junior High, as well.

    By halftime, Sugar had scored twenty-two points, but the rest of the Eagles had managed a paltry five. That made the score 36–27, Patriots. Thirty-six was a lot of points for one half, showing that the Eagles were barely bothering to play defense.

    “Sure glad we’re not in that locker room,” Tiki said as they waited for the second half to start.

    “Yeah. We were lucky. At least we were always in the hunt for a play-off spot,” Ronde said.

    “These guys’ll never make it, the way they’re going. They’ll be lucky to finish over .500.”

    “Yeah, and they should be much better, with a guy like Sugar chuckin’ it up there like that.”

    “Oh, well,” Tiki said, shrugging. “Not much we can do about it from up here.”

    The second half began with Sugar on the bench, steaming about something. Probably the way his teammates are playing, thought Ronde.

    When Sugar finally got back in the game, the Eagles were trailing by fifteen points. He proceeded to put on a one-man show, sinking shot after shot, even though the Colts were constantly double-teaming him.

    “He’s got an open man!” Tiki shouted more than once. But Sugar never seemed to want to let go of the ball unless he was launching it toward the basket.

    In the end, he made the score fairly close—67–63—but the Eagles still wound up on the short end of the stick.

    Tiki and Ronde left the gym along with the rest of the crowd. They crossed the parking lot and kept walking, headed for the public bus stop a block farther down James Street. It wasn’t the time of year to be riding bikes—too cold for that—and there were no school buses this late in the day.

    Riding home, the brothers didn’t say much at first. Each was absorbed in his own private thoughts. Finally, Tiki muttered, “Man, this really rots, you know?”

    Ronde knew what he meant. “Not being part of the team anymore? Yeah. I know.”

    “Life’s just not the same. It’s like something’s missing.”

    “Well, we’ve still got classes,” Ronde said. “And you’re gonna be writing your advice column for the school newspaper.”

    “Ugh, don’t remind me,” Tiki said, making a face. “I wish I’d never promised Laura I’d do that after the season ended.” Laura Sommer was the editor and publisher of the Hidden Valley Gazette, which she had turned from a one-page handout to a real, twice-monthly newspaper that the whole school looked forward to reading.

    “Point is, you promised her you’d do it,” Ronde said. “And while you’re at it, who knows, you might wind up helping somebody out there.”

    “Yeah, right,” Tiki said, dismissing the thought.

    But Ronde could tell he’d made his point. “Besides, there’s also the job at Mr. Landzberg’s warehouse,” he said. “He offered us twenty hours a week, and said we could split the job between us if we wanted. That could end up being a lot of money.”

    Justin Landzberg had been a teammate of theirs on the Eagles, and his dad owned a local department store with its own warehouse. “They always need stockboys,” Justin told them when they informed him that they were fourteen now, and able to get working papers.

    Tiki and Ronde’s mom worked two jobs. Times were tough in Roanoke, and it was hard for a single mom to make enough money to bring the boys up and pay all the bills. The twins had always wanted to help by contributing to the family budget, but until now, they’d been too young.

    “I guess you’re right,” Tiki said, still thinking about their days of glory on the football field. “I mean, all things come to an end, right? Even the best things.”

    “It was the best, wasn’t it?” Ronde remembered with a smile. “They can never take those championships away from us.”

    “Or that perfect season.”

    “Or all those great plays�.�.�.”

    “All the comebacks�.�.�.”

    They both sighed, and fell silent again.

    “I’m never gonna forget it,” Tiki finally said. “Even if we make it to the NFL.”

    Ronde gave him a playful shove. “What do you mean, ‘if’?”

    “Still,” Tiki said as their stop approached. “I wish we had something fun to do between now and next fall.”

    “You never know,” Ronde said as they got off the bus. “Something might turn up tomorrow morning.”

    Little did he know how right he was.

    •��•��•

    “Yo! Ronde!”

    Ronde turned from his locker to see Mr. Jackson coming toward him. Mr. Jackson was his science teacher, and immediately Ronde thought he must have messed up on the latest quiz or homework assignment. But the smile on Mr. Jackson’s face told a different story.

    “What’d I do?” Ronde blurted out.

    “Nothing! What are you worried about?” Mr. Jackson said with a chuckle. “Last I looked, you were running an A minus.”

    Ronde beamed. He was good at science, and proud of it too.

    Mr. Jackson’s smile faded. “Look, Ronde, you got a minute? I need to talk to you about something. Or you could come to my office fourth period. You have lunch fourth period, right?”

    “We can talk now,” Ronde said. “I’ve got study hall.”

    “Good, good,” said Mr. Jackson. “Let’s sit on that bench over there in the lobby. It’ll quiet down soon as passing’s over.”

    Two minutes later, the halls had emptied, and they could hear themselves think. “Here’s the thing,” Mr. Jackson began. “It’s about the team, basically. I’ve got a problem I’m hoping you or your brother can help me with.”

    In his panic about his science grades, Ronde had forgotten that in addition to being his science teacher, Mr. Jackson was also Hidden Valley’s basketball coach.

    “The team is in trouble,” Mr. Jackson said. “And now I come to find out that Brian Reynolds is transferring out; going to military school, starting Monday.”

    “Whoa. That’s too bad,” Ronde said. Brian was the team’s starting shooting guard. He scored more points than anyone on the squad except Sugar. “But—”

    “But how can you help? That’s what I was about to ask you!” Mr. Jackson’s smile returned. “I can move Rory Mathis up to starter. But now I’ve got an opening on my bench, with no obvious candidates to fill it. So I’m asking myself, ‘Who at this school might be good at basketball, but didn’t try out for the team, for whatever reason.�.�.�.’ ”

    In the silence, Ronde realized what Mr. Jackson was offering. “You mean us?”

    Mr. Jackson put both hands out, palms up. “I didn’t call you aside just to chat.”

    Ronde swallowed hard. His heart was suddenly racing with excitement, but he tried not to show just how eager he was.

    “You know, I’m sure we’d be interested, Mr. J. We’re always playing one-on-one in the driveway, you know, and we can handle the ball pretty well. Although neither of us is a great shooter,” he warned, not wanting the coach to get too hopeful. After all, Mr. Jackson was asking them to fill in for a shooting guard, wasn’t he?

    “Well, I understand why you both never came out for tryouts,” Jackson said. “I know Coach Wheeler didn’t want either of you getting hurt doing any other sports.”

    Ronde nodded. It was true. Football had always been the most important thing to him and Tiki. It was true that they often played hoops in their driveway, although not “always,” as he’d told Mr. Jackson. They’d played some pick-up baseball too, in summer, and run races against each other for fun, just like any two athletic brothers on planet Earth.

    But joining the basketball team was another step up, for sure. Why shouldn’t they try their hand at other sports, now that they didn’t have to worry about football until high school? In fact, Ronde made a mental note, right then and there, to try out for the baseball team in early March.

    “Don’t misunderstand me,” Mr. Jackson said, holding up a hand. “I’ve only got one spot on the roster. I’ll leave it up to you and Tiki which of you wants to give it a try.”

    Ronde froze, with his jaw wide open. He’d been about to say something else, but now, for the life of him, he couldn’t remember what it was.

    Only one of them was going to be on the basketball team?

    WHICH ONE??

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